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''Nattens madrigal – Aatte hymne til ulven i manden'' (translated as ''"Madrigal of the Night – Eight Hymns to the Wolf in Man"'') is the third studio album by Norwegian band Ulver, issued on March 3, 1997 via Century Media. Composed and arranged during the first half of 1995, the album purports to be a concept album about wolves, the night, the moon, and the dark side of mankind. == Background == Part three of what has become known as Ulver’s “''Black Metal Trilogie'',” ''Nattens madrigal'' - marked the band’s international debut and showcases a black metal style similar to ''Bergtatt'', abandoning the acoustic and atmospheric elements, with an intentionally underproduced sound. The album has been described as “raw and grim black metal at its blackest.” A common myth about the album is that band spent the recording budget on Armani suits, cocaine and a Corvette; and recorded the album outdoors in a Norwegian forest on an 8-track recorder.〔(【引用サイトリンク】 ULVER: The MetalKult Interview )〕 Kristoffer Rygg, however, has stated that this is not true; and possibly a rumour started by Century Media. Metal Injection concluded "''Kveldssanger'' had no electric instruments, ''Nattens madrigal'' had no acoustic instruments, but ''Bergtatt'', has both acoustic and electric instruments; it’s like they spliced the elements from ''Bergtatt'' into two separate albums. If that’s the case, then ''Nattens madrigal'' really showcases the black metal prowess of the band. The album answers exactly why people were so angered by Ulver’s transition away from black metal, and why people are still bitter at their direction today.” Commenting on the rumours surrounding ''Nattens madrigal'', Rygg said, "Do you really think that Century Media advanced us so much that we could buy a black Corvette? Maybe some suits and drugs; I won't deny that. Or deny that we recorded it cheap. I'll let the myth carry on.” Continuing, "We didn't have anything to do with those rumours. The moment the big labels picked up black metal, that was the beginning of the end of black metal as far as I see it. They started to exploit the genre by stuff like that-dumb sales pitches-that took the heart out of a lot of it. It became very banal. I'm not blaming Century Media, but I definitely think that that marked the beginning of the end of black metal for me. Putting out ''Nattens madrigal'' via a big label was kind of an antagonistic move. They probably expected a prettied-up ''Bergtatt'', you know? We didn't want to conform to any business model. We still don't. It got into the mainstream and people became very adept at playing and producing professional records, and as a result of that it lost a lot of the magic that it held to me when I was a teenager listening to old Celtic Frost rehearsals, or old Mayhem demos. I'm still very much like that. I'd rather listen to old lo-fi recordings than the perfect retro-band, you know. So I was part of a different scene, a different vibe." Adding, "We composed ''Nattens madrigal'' quite quickly after ''Bergtatt''. And while we were rehearsing the Madrigal we recorded ''Kveldssanger'', the second one. So I think that we spent about a year on that record. It was written in '95, recorded in '96, and was finally released early '97." 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Nattens madrigal」の詳細全文を読む スポンサード リンク
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